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art by Kali Gregan

"A Murder During the Reagan Era" appeared in NAR issue 302.3.

Dedicated to Roberta Barrett (1936-2016), who didn’t shirk from her morbid son-in-law’s curiosity and showed him the letter from her cousin in jail for murder and spawned this story.

     This story rose from offal I had trimmed from a novel manuscript. As much as I enjoyed the tale of...

art by Kali Gregan

     “The Tough Guy Test” (Winter 2017) is the second story North American Review has published from my collection Bridge & Tunnel. In it, a woman returns to her working-class roots in Queens after the Great Recession, her manor-born husband and their toddler in tow. The husband’s adjustment is an immediate challenge, and ultimately the woman must confront the subtler shifts in her own perspective...

Illustration by Tom Moore

In the summer of 2014, while traveling to Greensburg, Pennsylvania for a poetry retreat,  I sat to write a poem as a reply to a Father’s Day letter I had received from my son, Patrick. The response eventually became a book-length manuscript. The poems of Soul Be A Witness, my latest collection, attempt to speak truth of and to boys and men of color as only an African American son, father, and grandfather can.

As native sons of America, boys of color have...

Self by Ciara Shuttleworth

Images by author

 

Courtney by Ciara Shuttleworth     I went to school for painting before I went for poetry. I kept a notebook in my painting studio, but the act of writing in a notebook is more like painting than editing a drafted poem: the body...

Illustration by Briana Hertzog

     Last January, I was in yoga school at Blue Banyan Yoga Studio & School, and I was asked to develop a Karma Project. As described, “Karma means action. We are said to all be connected by a tightly woven web of karmic energy—each action we do affects both the Self and the Universe.” The project was up to me and encouraged “Selfless Service.”    

     Immediately, I thought of MLE. She’s a dear friend, mentor, colleague, and fellow poet. Together, we have taught and written...

Illustration by Matt Manley

     The Polish government designated it the Year of Zbigniew Herbert and organized a celebratory reading at the Polish Embassy in DC, where a handful of Polish American poets read and discussed his singular influence. I read a Herbert-influenced poem along with an excerpt from my translation of Pan Tadeusz, the great nineteenth century Polish Romantic epic—the scene where all nature and all the inhabitants of Lithuanian Poland react to the advancing Napoleonic forces with an eerie...

Image

Matthew Schaefer

 

This Past Perfect will also appear in NAR's Summer 2017 issue, which will be available for pre-order here.

     It sounds like the set-up for a bad joke: “The President, the Press Secretary and the White House Press Corps walk into a room . . .” It may well be a bad joke, but the punch line remains elusive. Each of the primary agents in this now-...

Illustration by Kali Gregan

            Grief and regret are two of those ghosts that seem to frequently haunt my creative process.  More often than not, whenever I sit down to write, they will pull me far from where I want to go and inevitably towards where I need to.  And then, especially in those moments where I most resist them, I will somehow unexpectedly find myself caught in their orbit.  It is such a strange commitment we are asked to make as writers: attempting to capture in words the inherently unsayable. ...

Illustration by Jessica Mercado

     Poetry gives me a chance to document reality in an emotional way.

     I have lived in New Mexico for twenty-three years now. I bought my house nine days after I drove into town. From the start, I loved watching the way the clouds bubbled and shifted. The light blistered like a lit match, especially on overcast days, and I realized I needed this sort of glory. The climate was nearly perfect. Summers were not too warm and never sticky like the East Coast had been. And they came...

Illustration by Matt Manley

 

Line

There are rungs across the plains. If you’re ok with not looking  too close, they become the kind of ruled mirage you find on cereal box  stickers where holographic animals twitch and transform by tilting  the angle of the card. If you don’t mind squinting, tree stands turn  to their fields and caress the pastured cheeks. Take a step back and silos  lean to hold one another’s hips. There is living in nondescript places, ...

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