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North American Review

Buildings

My arsenal when I enter my poetry workshops is seemingly innocuous: a pen, a 99¢ notebook, and a clay mug that contains a stapled together tea bag.  The tea, bought in bulk, doesn’t hint toward a distant land like Masala Chai nor does it promise a feeling like Calm Chamomile. No, my stuff is just stuff that one could have purchased, and did purchase, decades ago.

After I arrange my supposedly timeless things, it doesn’t take long before I start in on a...

A candle tree

Jeannine Hall Gailey’s Poem “Repeton In Winter” Appeared In Nar Issue 301.4.

While writing my newest book, Field Guide to the End of the World, I was careful to balance its darker themes – including mass extinctions, conspiracy theories, ecological disasters, and plagues – with lighter influences, from Cupcake...

Human shadow

Felicia Zamora’s Poem “A Long Road Never Takes Us” Will Appear In Nar Issue 302.1.

What brings you to the page? The incessant lull of the image? Perhaps the habitual pace around the desk, in taunt of your time? The spark of unexplainable inspiration that requires you to bolt toward any mechanism of capture to get it down? The guilt...

Freaky Dance Party Illustration

The lines/images that trigger my poems rarely stick as the entrance to the final product of my poems. Something that interests me about “Tips for Your Quarter-life Crisis” is that its first line has always been its first line. Well, the first line actually used to be “Don’t feed your kale salad to the wolves,” but when the poem went through a workshop, one of my peers pointed...

Illustration by Jeannie Phan

I write for free or for fees we call nominal. Not as a matter of principle. Certainly not in pursuit of an ideal.

I write for free because the economic structure of my country dictates the necessity of this arrangement and institutions (of education, of publication), their agents being people much like myself, admit no alternative.

At first I wrote for free because I believed that “getting my name out there” was a worthwhile use of my time,...

Cover of the North American Review

I would like to write a little something about my picture “King Pest” which is on the cover of 301.4. It is an illustration for Edgar Allan Poe’s darkly comic story about a plague, two sailors, and a group of remarkable characters who each had one of his or her features (nose, head, ears, etc.) distorted (enlarged) by the pervasive plague. Out of the hundreds and hundreds of pictures I have...

A barnyard under water

“Moss Called Pond” First Appeared In Nar Issue 301.4.

 

“Moss Called Pond” chronicles a conversation with water pondering, among other subjects: consumption, wonder, space, temporality, and people known only through pond, by layer and suspended sediment. So, in speaking with a small pond near where I...

Piatkowski illustration

“Pieces of Bennet” by Shelly Owens was published in NAR issue 301.4.

I think my writer brain might be toast. I’m a sunburnt snake swimming in my own crackly skin trying to shed myself of myself. Or maybe it’s like Miss Havisham’s house: cluttered with moldy old cake and all the stuff I’ve wanted to get down on the page but...

Nightfall

Our Thanksgiving Series Comes To An End With A Piece From Our 290.6, Nov-Dec Of 2005 Issue

By Richard Cecil

The Night After Thanksgiving

As freezing wind made branches whip and snap,
a silver—rat? raccoon? no,possum—stopped
on the sidewalk up ahead and looked back
at me and I looked back at her and stopped....

Sweet Alaska image

Thanksgiving Day – November 24, 2016 – #Givethanks


Today’s Poem Was Selected To Remind Us All Of How Truly Special Thanksgiving Is. Cherish Those Around You And Again, Happy Holiday!


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