The James Merrill House
The ghost in the
bedroom doorway had
been trying to flirt with
me for weeks, but
I hadn’t realized it yet.
If I blew by him, he’d say:
Seven seas of sadness,
which one to swim in
first. If I was bored or
restless: Which to float on.
When I was daydreaming
about somebody:
I like the
detail in the bruising.
When he finally did catch
my attention one night, his
gaze was brightening my
smile on the roof deck, while
I beamed at my friend Inez,
who was wearing her most
awful bracelet,
and she lied
to me, saying I looked like a
visionary speaking into the
breeze, my hair blowing
like that. And I felt pretty,
and she felt pretty just
saying it.
Then, invariably,
as things happen to you when
your suitor is another species,
or is a specter, or you
have nothing but derisive
things to say about him,
he evened us out when
he said to me:
My shadow
falling across you
makes it look like
you’re wearing a toga.
If we didn’t have to
realize then, with such finality,
that we couldn’t curb him
forever, or put him on ice,
or silence him; whether
Inez and I could have sustained
our spark, dazzling in our
friendship, helping ourselves
to curiosity during a time when
we were so optimally realized, as
we lied to each other kindly and
absolutely, we’ll never know.
Recommended
Ultrasound with Bird
Father in Chiaroscuro
Fugue for the Harvest Moon Shining Over Montague