The James Merrill House
The ghost in the
bedroom doorway had
been trying to flirt with
me for weeks, but
I hadn’t realized it yet.
If I blew by him, he’d say:
Seven seas of sadness,
which one to swim in
first. If I was bored or
restless: Which to float on.
When I was daydreaming
about somebody:
I like the
detail in the bruising.
When he finally did catch
my attention one night, his
gaze was brightening my
smile on the roof deck, while
I beamed at my friend Inez,
who was wearing her most
awful bracelet,
and she lied
to me, saying I looked like a
visionary speaking into the
breeze, my hair blowing
like that. And I felt pretty,
and she felt pretty just
saying it.
Then, invariably,
as things happen to you when
your suitor is another species,
or is a specter, or you
have nothing but derisive
things to say about him,
he evened us out when
he said to me:
My shadow
falling across you
makes it look like
you’re wearing a toga.
If we didn’t have to
realize then, with such finality,
that we couldn’t curb him
forever, or put him on ice,
or silence him; whether
Inez and I could have sustained
our spark, dazzling in our
friendship, helping ourselves
to curiosity during a time when
we were so optimally realized, as
we lied to each other kindly and
absolutely, we’ll never know.
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