Eclipsing

A pencil means I can erase you. Repeatedly.

From a yellow chair in this hotel room, the sound 
of red sirens going by.

I am not brave, will not fight fires, trying 
to put my face up to their red beating song.

Miles of prairie burning—control, control.

From the Anglo-Norman French contreroller
“to keep a copy of a roll of accounts.”

Fire zippering across the fields, funnel clouds 
of smoke in somewhere Kansas.

Clouds as a summary of grief                  
stained pink by kerosene.                      

A woman at a reading tells me the fire 
is controlled. Mostly.

Tell that to the wind (mostly).

Fire in the lower dark corner of the poem.

(I will erase you.)

I am trying to leave this state, hours 
of leaving and leaving again.

Fire along the highway I tunnel through.

By late afternoon, I pass the eclipse. 
It passes me.

I hold up a cereal box and see through a pinhole 
a black sliver of sun cut out by the moon.

So much burning as they pass and kiss 
after a long loneliness the size of light years.

Light years, fire years, when we touched 
each other from across the words. 

Hadara Bar-Nadav

Hadara Bar-Nadav is an NEA fellow and author of several award-winning books of poetry, among them The Animal Is Chemical, The New Nudity, Lullaby (with Exit Sign), The Frame Called Ruin, and A Glass of Milk to Kiss Goodnight. She is also co-author of the best-selling textbook Writing Poems, 8th ed. Her poems have appeared in The American Poetry Review, Kenyon Review, The New Republic, Ploughshares, and Poetry. She is Professor of English and teaches in the MFA program at the University of Missouri-Kansas City.

                                  

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