The James Merrill House

 

The ghost in the

bedroom doorway had

been trying to flirt with

me for weeks, but

I hadn’t realized it yet.

If I blew by him, he’d say:

Seven seas of sadness,

which one to swim in

first. If I was bored or

restless: Which to float on.

When I was daydreaming

about somebody:

                                  I like the

detail in the bruising. 

When he finally did catch 

my attention one night, his

gaze was brightening my

smile on the roof deck, while

I beamed at my friend Inez,

who was wearing her most

awful bracelet, 

 and she lied

to me, saying I looked like a

visionary speaking into the

breeze, my hair blowing

like that. And I felt pretty,

and she felt pretty just

saying it. 

Then, invariably,

as things happen to you when

your suitor is another species,

or is a specter, or you

have nothing but derisive

things to say about him,

 

he evened us out when

he said to me:

 

My shadow

falling across you

 

makes it look like

you’re wearing a toga.

 

If we didn’t have to

realize then, with such finality,

that we couldn’t curb him

forever, or put him on ice,

or silence him; whether

Inez and I could have sustained

our spark, dazzling in our

friendship, helping ourselves

to curiosity during a time when

we were so optimally realized, as

we lied to each other kindly and

absolutely, we’ll never know.

 

Image removed.

 

Duy Đoàn (pronounced zwē dwän / zwee dwahn) is the author of We Play a Game, winner of the Yale Series of Younger Poets Prize and a Lambda Literary Award. Duy’s work has appeared in the Academy of American Poets Poem-a-Day, Kenyon Review, The Margins, Poetry, and elsewhere. His second collection, Zombie Vomit Mad Libs, is forthcoming from Alice James Books, November 2024.

 

Recommended

Translation, Poetry | Translated to English by Wendy Call
The Binnizá

 

Poetry | Rick Christiansen
Bone Fragments

 

Poetry | Greg Nicholl
December to Remember Sales Event