Review

Clare Sullivan | A Review of Stolen Flower by Irma Pineda, translated by Wendy Call

Brian Pals | Beloved Language and the Language of Love: A Review of John Poch’s The Future of Love

Sage Marshall | A Review of Ghost Hunting Glaciers by Michael Garrigan

Katie Zdybel | A Review of There’s Always More to Say by Natalie Southworth

Jessica Baldanzi | A Review of What Mennonite Girls Are Good For by Jennifer Sears

Miranda Wollen | Kronos in the Bardo: A Review of The Disappearing Act by Maria Stepanova

Shann Ray | The Lives of Monarch Butterflies: A Review of Wolves in Shells by Kimberly Ann Priest

Rick Christiansen | The Music of Survival: A Review of PULSE by Maria Nazos

J.G.P. MacAdam | A Review of The Afterlife of a Threadbare Jester by Khanh Ha

Margaret Morganroth Gullette | Remembering COVID Now: What “This” Means

Ann Spiers | Review of Heidi Seaborn’s tic tic tic

Haley Hodges | A Review of The Unbelieving Yelp of Prey by Alex Mouw

Daniel Naawenkangua Abukuri | Translating Pain and Possibility: A Review of My Perfect Cognate by Natalie Scenters-Zapico

Virginia Bell | The Translation of Feminism/The Feminism of Translation: A Review of Naoko Fujimoto’s Of Women

Janine Harrison | A Review of Portable City by Karen Kovacik

Jeffrey Levine | Building from the Rubble: On Rose McLarney’s Rubble Masonry

Charles Holdefer | A Review of How Can I Say It Was Not Enough? by Anne Kaier

Heidi Greco | A Review of Woman, Life, Freedom: Poems for the Iranian Revolution, edited by Bänoo Zan and Cy Strom

Dorian Elizabeth Knapp | A Review of Portable City by Karen Kovacik

Rob Merritt | A Review of Haircuts for the Dead by William Walsh

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