Review

Lee Anne Gallaway-Mitchell | A Cycle of Rather Dark Tales: A Review of "Jillian in the Borderlands" by Beth Alvarado

Yolanda Nieves | Toward Solidarity: A Review of My Name is Romero by David A. Romero

Natasha Dennerstein | Containing Multitudes: A Review of The Fabulous Ekphrastic Fantastic by Miah Jeffra

J. D. Schraffenberger | America's First Celebrity: A Review of Lady Romeo by Tana Wojczuk

Caleb Tankersley | A Kind of Ascendency: Reconciling with My Grandfather through Lynn Casteel Harper’s "On Vanishing"

Neil Harrison | A Review of "Bone Chalk" by Jim Reese

Grant Tracey | The Genius of her Admirer: A Review of "Laura" and the Art of Writing for a Second Reading

Rachel Morgan | Fall Book Reviews

Grant Tracey | A Real Gun: A Review of Ed McBain’s "King’s Ransom" and Staging in Triangles

Daniel G. Payne | Strong Magic: A review of The Skin-Artist by George Hovis

Ted Morrissey | The Celebration Goes On: A Review of "The William H. Gass Reader"

Richard Goodman | What Happens Next: A Review of Megafauna by Flora K. Schildknecht

Jesse Swan | A Review of " House Built on Ashes" a Memoir by José Antonio Rodriguez

Jeremy C. Justus | I Never Expected To Live This Long: A review of Kurt Vonnegut Remembered, edited by Jim O’Loughlin

Kaylene Johnson-Sullivan | Narrative Preservation: A review of Three Ways to Disappear by Katy Yocom

Daegan Miller | The Ballad or the Bullet

Tara Ballard | Drinking from the Water: Finding “Pastoral” in the Work of Terry Tempest Williams

Nicolas Poynter | Greetings From Mexico

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